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 FDS 360
User Manual




              1
V3.0         JMK          14 October 1996




       This equipment has been tested and found to comply with the following European Standards for
Electromagnetic Compatibility:
Emission Specification:         EN55013            (1990)       (Associated equipment)
Immunity Specification:         EN50082/1          (1992)       (RF Immunity, Fast Transients and ESD)
Mains Disturbance:              EN61000/3/2        (1995)
For continued compliance ensure that all input and output cables are wired with cable screen connected to Pin
1 of the XLR. The input XLR Pin 1 on BSS equipment is generally connected to chassis via a capacitor to
prevent ground loops whilst ensuring good EMC compatibility.




We have written this manual with the aim of helping installers, sound engineers and consultants alike get to
grips with the FDS-360 and obtain its maximum capability.
If you are new to BSS products, we recommend that you begin at the start of the manual. If, however, you are
already familiar with the intended application, and just want to get the unit installed without delay, then
follow the highlighted sections.
We welcome any comments or questions regarding the FDS-360 or other BSS products, and you may contact us
at the address or World Wide Web site given in the warranty section.
2
                                                        Contents



Contents
            1.0        What is a Crossover?                5
            2.0        The difference between Active and
                       Passive Crossovers                6
            3.0        Other advantages                    7
            4.0        The Linkwitz-Riley advantage        8
            5.0        What is special about BSS
                       Crossovers?                         9
            6.0        Unpacking                           9
            7.0        Mechanical Installation            12
            8.0        Mains Power Connection             13
            9.0        Input Connections                  14
              9.1      XLR Plugs.                         14

           10.0        Output Connections                 14
              10.1     XLR Plugs                          14

           11.0        Controls                           16
              11.1     Mode Switch                        16
              11.2     Level Control                      16
              11.3     Mute Switch                        16
              11.4     Polarity Switch                    17
              11.5     Mono Low Switch                    17
              11.6     Phase Control                      17
              11.7     Limiter Threshold Switch           18
              11.8     Signal LEDs                        18

           12.0        Frequency Cards                    19
              Card Location for Four Way System           19
              Card Location for Three Way System          19
              Card Location for Stereo Two Way System     19

           13.0        Rear Barrier Strip                 20
              13.1     Limiter Cancel                     20
              13.2     Auto Mute Cancel                   20
              13.3     Limiter Threshold Reference        20
              13.4     Band Insertion Points              20



                                                               3
Contents



           14.0      Modes of Operation                        21
              14.1   Mono Three Way with Extra Full Range
                     Buffered Output                           21
              14.2   Operating a Sub-Woofer system from an
                     Effects Send                              21
              14.3   Mono Low between separate units           21

           15.0      Limiter Adjustment                        22
                     Adjustment for A                          22
                     Adjustment for B                          22

           16.0      Phase Adjustment                          24
           17.0      System Diagrams and Descriptions 25
              17.1   Full unit                                 25
              17.2   15Hz Subsonic Filter Change               25

           18.0      Filters and Frequency Tables              27
              18.1   Standard Filters                          27
              18.2   Full Range Frequency Card                 27

           19.0      BSS Supported Options                     30
              19.1   Output Balancing                          30
              19.2   Security Cover                            30

           20.0      FDS-360 Equalisation Options              31
              20.1   Introduction                              31
              20.2   FDS-360D Installation                     31
              20.3   Circuit Description                       31
              20.4   Filter Design                             33
              20.5   Application Notes                         35
              20.6   Application of the FDS-360D to a system   36
              20.7   FDS-360 E Installation                    38

           21.0      Electronic/Chassis Earth Link             39
           22.0      Transient Suppressor Replacement 39
           23.0      Troubleshooting                           40
           24.0      Glossary                                  41
           25.0      Specifications                            44
           26.0      Warranty Information                      45
                     Index                                     49
                     User Notes                                51
4                    Spare Parts Information
                                                                                      Crossovers



1.0     What is a Crossover?
                         Crossovers are a necessary part of sound reinforcement systems because the
                         loudspeaker drive-unit which can produce clear reliable high SPL (sound
                         level) over the full audio bandwidth has yet to be invented. All real-world
                         drive units work best when they are driven over a limited band of frequencies,
                         for example: Low, Mid and High.
                         Any crossover aims to provide the division of the audio band necessary, so
                         each drive unit receives only the frequencies it is designed to handle. In a
                         high power, high performance sound system, the crossover should also reject
                         unsuitable frequencies to avoid damage and poor quality sound.



  Fig 1.1 Stereo 2-way
      Crossover setup




  Fig 1.2 Mono 3-way
     Crossover setup




                                                                                                        5
Active and Passive Crossovers



2.0    The difference between Active and
       Passive Crossovers
                       Passive crossovers divide the frequency spectrum after the signal has been
                       raised to a high power level. They are generally heavy, bulky and inefficient.
                       Active crossovers utilise ICs and transistors, and divide the frequency
                       spectrum at line levels, immediately ahead of the amplifiers (See Figure 2.1).
                       An active crossover does the same job as a passive crossover, but with more
                       precision, flexibility, efficiency, and quality.


             Fig 2.1




                       



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