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             DISTRESSOR
        Classic Knee Compression
                    For Models EL8 & EL8-X




                         INDEX
Page       Item
 1     Features & Specs
 2     Using for the First Time
 3     Example Settings
 4     Ratios, Curves, & Classic Emulation
 5     The Audio Modes & Distortion
 6     The Detector Modes & Block Diagram
 7     Recall Sheet
 9     Basic Wiring and Stereo Link
 10    Troubleshooting
 11    Fuse Replacement, AC Voltage Select, and Upgrades
 12    British Mod on the "X" Version (EL8-X)
 13    Stereo Image Link Mod (EL8-X)
 14    Customer Comments
 15    Warranty




                  Technology for the Artist
                                    DISTRESSOR
FEATURES
 Classic knee sound - With modern noise specs and improved performance. Really grabs.
 Programmable analog distortion/warmth - helpful in the pristine but unforgiving digital world. Three audio
 modes providing user programmable, warm harmonic distortion. Emphasized tube-like, 2nd harmonic in
 clean and Distort 2 mode. In Distort 3 mode, the distortion becomes dominated by 3rd harmonic, more
 similar to tape.
 Distortion indicator lights - A 1% LED and a "Redline" (3%) LED. No hard clipping until a few dB past
 "Redline".
 Advanced built-in sidechain EQ - High mid band emphasis prevents harsh, edgy guitars or vocals from
 hurting innocent ears. Low cut keeps the low "sum & difference" frequencies from pumping the upper
 frequencies of source material.
 Fool proof operation - Even though there are 384 possible settings (not counting knob settings), it's almost
 impossible to get a bad sound. Keep all knobs on 5 or 6 (around middle) with ratio at 6:1 and you won't go
 wrong.
 Eight unique curves - From the 1:1 mode that simply warms up signal with low order harmonics without
 intentional compression, to the "Nuke" setting - a brick wall limiting curve that shines on live drum room
 mics. Each curve has its own personality, and release shape. Most exceptional is the 10:1 "Opto" ratio
 which uses separate circuitry to emulate the oldest (and valued) "light controlled" devices, such as the LA-
 2A etc. See manual to emulate other compressors of old.
 Discrete and integrated combination - the best of speed/linearity with repeatability. Hand tested &
 selected components.
 Huge knobs with high resolution numbering - For easy readability and repeatable settings. They also go
 to 10 1/2 .
 Locked, calibrated, output level - Allows speed in setting tape and live mix levels.
 Stereo Strappable
 Switchable 115/230 volt operation - Extra fuse provided inside unit.
 Over designed power supplies - Runs cool, allowing cabinet to be sealed - without heat vents. Long life
 components.
 Single height and light weight - Classic sound in a small, extremely reliable package.
 True bypass - Know what it's really doing. All contacts doubled up for maximum reliability. No internal audio
 connectors.
 XLR and 1/4" phone ins and outs - XLR fully balanced, transformerless design, pin 2 hot. Changeable by
 user to pin 3 hot!
 All metal film and Roederstein resistors in the audio path - top quality components. Many military spec.
 parts.
 Interface and features found nowhere else.
 Hand wired, calibrated in USA. Shipping weight 12 Lbs.

SPECS
 Freq. response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). Response is shaped in distortion
 modes (Dist 2, Dist 3).
 Dynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in
 distort 3 mode.
 Distortion ranges between .02% and 20% depending on distortion mode and release times set on front
 panel.
 DC coupled output - High quality input caps.
 Time constants - Attack range 50uS - 30mS. Release range .05 sec to 3.5 seconds. Release goes up to
 20 seconds in 10:1 "Opto" mode.
 Power Consumption 

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